In almost every modelling assignment, photographers need their models to convey some kind of emotion through their facial expression or body position.
You can work on facial expressions by practising them in a mirror. Everything you feel is reflected in your face, and models need to be adept at projecting all the major emotions. Make a list of key emotions (love, hate, sorrow, joy etc.) and practise expressing each emotion in front of a mirror. After you have practised for a while, try out your skills on a friend and see if they can tell what emotion you are conveying.
How to smile
Learning how to smile sounds ridiculous - surely everyone can do it? In fact, smiling 'to order' is a real skill, and one that professional models need to master.
To improve your smiling skills, position yourself in front of a mirror and practise the following steps.
Posing
You can practise modelling poses in front of a full-length mirror. Check out some fashion catalogues to find the most popular poses. Pay attention to the tilt of the head, the position of the hands and the turn of the ankle. These little things can make a big difference - just as with facial expressions, your body posture can convey a variety of emotions. Consider taking up activities that teach you how to move your body gracefully. Dancers and gymnasts move well in front of the camera because they know how to create long sweeping lines with their bodies.
Both facial expressions and poses can be improved by practising with props, products and wardrobe. Examples of props could be a floppy hat, a long shawl or a beach ball. The idea is to practise using and reacting to the prop.
Since one of the key areas of modelling is promotional and marketing work, it is a good idea to practise with a product that might be sold - a perfume, household product or foodstuff, for example. Practise holding the product so it may be clearly seen and you don't cover the label.
In fashion shoots, you'll be selling clothes, so practise showing the important features of each item. Show off the pockets, collar and belt or how the garment moves. You need to bring attention to whatever makes the garment interesting.
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